The King Of Violins

HOW CHINA'S MOST CELEBRATED VIOLIN PRODIGY BECAME AN ENEMY OF STATE. The King of Violins is the heartbreaking story of China's most celebrated violin prodigy, Ma Sicong, who composed his first concerto at the age of 12. During his career, this gentle, dignified man composed 57 of the world's best-known symphonies and concertos and performed in front of hundreds of sold-out audiences across the globe. Chairman Mao Zedong declared Ma Sicong "a national treasure" and nicknamed him The King of Violins. Soon, Chairman Mao's brutal Cultural Revolution distorted the truth of Ma's life and work. He is forced to wear a dunce cap, and is publicly humiliated and physically abused by cadres of Red Guards as "a vile product of bourgeois thinking." Ma and his family make a breath-taking escape in the darkness to America. After Chairman Mao died in 1976, the real circumstances of Ma's poignant, bittersweet life were buried in the pages of history by an embarrassed Chinese government. Eleven years later, Ma died at the age of 76 in Philadelphia. The King of Violins, written in cooperation with all of Ma's remaining family members, and is the first politically balanced life story about this generous, conflicted musical genius. (Contains 89 rare vintage photographs).

HOW CHINA'S MOST CELEBRATED VIOLIN PRODIGY BECAME AN ENEMY OF THE STATE. The King of Violins is the heartbreaking story of China's most celebrated violin prodigy, Ma Sicong, who composed his first concerto at the age of 12. During his career, this gentle, dignified man composed 57 of the world's best-known symphonies and concertos and performed in front of hundreds of sold-out audiences across the globe. Chairman Mao Zedong declared Ma Sicong "a national treasure" and nicknamed him The King of Violins. Soon, Chairman Mao's brutal Cultural Revolution distorted the truth of Ma's life and work. He is forced to wear a dunce cap, and is publically humiliated and physically abused by cadres of Red Guards as "a vile product of bourgeois thinking." Ma and his family make a breath-taking escape in the darkness to America. After Chairman Mao died in 1976, the real circumstances of Ma's poignant, bittersweet life were buried in the pages of history by an embarrassed Chinese government. Eleven years later, Ma died at the age of 76 in Philadelphia. The King of Violins, written in cooperation with all of Ma's remaining family members, and is the first politically-balanced life story about this generous, conflicted musical genius.

Tales of magic and wonder can be found in every phase of Jewish literature, from the sacred to the secular. The fairy tale in particular--set in enchanted lands and populated with a variety of human and supernatural beings, both good and evil--holds a very special place in the Jewish tradition. For in the fairy tale, where good and evil engage in a timeless struggle, we have a clear reflection of the Jewish world view, where faith in God can defeat the evil impulse. In Elijah's Violin, Howard Schwartz offers a sumptuous collection of thirty-six Jewish fairy tales from virtually every corner of the world. At once otherworldy and earthy, pious and playful, these celebrated tales from Morocco and India, Spain and Eastern Europe, Babylon and Egypt, illustrate not only their Jewish character but also their universality of themes. Invoking the biblical tale of David and Goliath, we read as King David defeats the giant by hovering above its spear in King David and the Giant. In the romantic tale of The Princess in the Tower, a variant of Rapunzel, we watch as the cautious King Solomon recognizes the vanity in trying to prevent Providence from taking place. And we see the religious nature of the quest for Elijah's violin in the title story. The successful completion of the king's quest enables the violin's imprisoned melodies, emblematic of the Jewish spirit, to be set free. Throughout this richly illustrated collection, one can find the quests and riddles of the traditional fairy tale along with the divine intervention that characterizes the Jewish fairy tale. Skillfully translated, these stories will captivate children and adults alike in which romance and magic become enchantingly entwined with faith, duty, and wisdom.

Tatjana Goldberg reveals the extent to which gender and socially constructed identity influenced female violinists’ ‘separate but unequal’ status in a great male-dominated virtuoso lineage by focussing on the few that stood out: the American Maud Powell (1867–1920), Australian-born Alma Moodie (1898–1943), and the British Marie Hall (1884–1956). Despite breaking down traditional gender-based patriarchal social and cultural norms, becoming celebrated soloists, and greatly contributing towards violin works and the early recording industry (Powell and Hall), they received little historical recognition. Goldberg provides a more complete picture of their artistic achievements and the impact they had on audiences.

First published in 1890, this volume contains a detailed account of the history of the violin, exploring its fascinating history and evolution with reference to notable designers and makers from England, Ireland, and Scotland. This interesting volume was originally written for those who love the violin and those who desire to learn about its history, and it is not to be missed by modern enthusiasts or collectors of vintage literature of this ilk. Also highly recommended for violin collectors and antique instrument dealers. Contents include: “Early Makers and Brescian School”, “The Cremonese School and its Italian Followers”, “German Makers”, “French Makers”, “Dutch, Belgian and Other Foreign Makers”, “English, Scottish and Irish Makers”, “Violin Bow Makers”, “Violin Acoustics”, “Violin Varnish”, “Violin Collecting”, “Ole Bulle's 'Gasparo Da Salo'”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of the violin.

First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.

One of the most respected and referenced books of its kind, this authoritative volume surveys violins and other bowed instruments from ancient to modern times. Includes 55 rare illustrations.

Reproduction of the original: The Violin by George Dubourg

The life, times, and travels of a remarkable instrument and the people who have made, sold, played, and cherished it. A 16-ounce package of polished wood, strings, and air, the violin is perhaps the most affordable, portable, and adaptable instrument ever created. As congenial to reels, ragas, Delta blues, and indie rock as it is to solo Bach and late Beethoven, it has been played standing or sitting, alone or in groups, in bars, churches, concert halls, lumber camps, even concentration camps, by pros and amateurs, adults and children, men and women, at virtually any latitude on any continent. Despite dogged attempts by musicologists worldwide to find its source, the violin’s origins remain maddeningly elusive. The instrument surfaced from nowhere in particular, in a world that Columbus had only recently left behind and Shakespeare had yet to put on paper. By the end of the violin’s first century, people were just discovering its possibilities. But it was already the instrument of choice for some of the greatest music ever composed by the end of its second. By the dawn of its fifth, it was established on five continents as an icon of globalization, modernization, and social mobility, an A-list trophy, and a potential capital gain. In The Violin, David Schoenbaum has combined the stories of its makers, dealers, and players into a global history of the past five centuries. From the earliest days, when violin makers acquired their craft from box makers, to Stradivari and the Golden Age of Cremona; Vuillaume and the Hills, who turned it into a global collectible; and incomparable performers from Paganini and Joachim to Heifetz and Oistrakh, Schoenbaum lays out the business, politics, and art of the world’s most versatile instrument.

How does a simple piece of wood become a violin, the king of instruments? Watch and find out as Eugene Drucker, a member of the world–renowned Emerson String Quartet, commissions Sam Zygmuntowicz, a Brooklyn craftsman, to make him a new violin. As he tells this extraordinary story, journalist John Marchese shares the rich lore of this beloved instrument and illuminates an art that has barely changed since the Renaissance. Marchese takes readers from start to finish as Zygmuntowicz builds the violin, from the first selection of the wood, to the cutting of the back and belly, through the carving of the scroll and the fingerboard, to the placement of the sound peg. Though much of the story takes place in the craftsman's museum–like Brooklyn workshop, there are side trips across the river to the rehearsal rooms of Carnegie Hall and Lincoln center, and across the world. Stops on the itinerary include Cremona, Italy, the magical city where Antonio Stradivari (and a few of his contemporaries) achieved a level of violin–making perfection that has endured for centuries, as well as points in France and Germany integral to the history of the violin. A stunning work of narrative nonfiction that's also a finely crafted, loving homage to the instrument that most closely approximates the human voice.

Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth

Reproduction of the original: The Violin by George Hart