Harper S Magazine

America’s first fashion magazine, Harper’s Bazaar has showcased the visions of legendary editors, photographers, and stylists and featured the works of noted writers since 1867. From its beginnings as a broadsheet aimed at the rising leisure class, the publication has since transformed into a magazine devoted to examining the lives of women through the lens of fashion. In celebration of the magazine’s 150th anniversary in 2017, Harper’s Bazaar: 150 Years captures the greats who have shaped the magazine over these decades. Harper’s Bazaar: 150 Years includes the most iconic pieces of work from the magazine's archive: more than 150 photographs and covers and 50 text excerpts, including articles, poems, and works of fiction. Organized chronologically, the selections showcase the breadth of creativity and artistry that has been published in the pages of the magazine for more than a century and prove that Harper’s Bazaar is more than just a fashion magazine.

Works from America's oldest monthly

The Fall of a Great American City is the story of what is happening today in New York City and in many other cities across America. It is about how the crisis of affluence is now driving out everything we love most about cities: small shops, decent restaurants, public space, street life, affordable apartments, responsive government, beauty, idiosyncrasy, each other. This is the story of how we came to lose so much—how the places we love most were turned over to land bankers, billionaires, the worst people in the world, and criminal landlords—and how we can - and must - begin to take them back. Co-published with Harper's Magazine, where an earlier version of this essay was originally published in 2018. As New York City approaches the third decade of the twenty-first century, it is in imminent danger of becoming something it has never been before: unremarkable. By unremarkable I don’t just mean periodic, slump-in-the-art-world, all-the-bands-suck, cinema-is-dead boring. I mean flatlining. No longer a significant cultural entity but a blank white screen of mere existence. I mean The-World’s-Largest-Gated-Community-with-a-few-cupcake-shops. For the first-time in our history, creative-youngpeople- will-no-longer want-to-come-here boring. Even, New-York-is-over boring. Or worse, New York is like everywhere else. Unremarkable. This is not some new phenomenon, but a cancer that’s been metastasizing on the city for decades now. Even worse, it’s not something that anyone wants, except the landlords, and not even all of them. What’s happening to New York now—what’s already happened to most of Manhattan, its core, and what is happening in every American city of means, Boston, Washington, San Francisco, Seattle, you name it—is something that almost nobody wants, but everybody gets. As such, the current urban crisis exemplifies our wider crisis: an America where we believe that we no longer have any ability to control the systems we live under.

Explore William Kentridge's remarkable performance piece, The Head & The Load, and discover how music, dance, writing, and fine art are combined to tell the haunting story of Africans during WWI. For over thirty years, William Kentridge has been combining fine arts, performance, theatre, and opera to create dreamlike, political, and humanist works. His installations , films, and drawings often deal with the political situation in South Africa, apartheid, and the consequences of colonialism. This book gives an in-depth examination of his performance piece The Head & The Load, which explores the role of Africa during World War I. Throughout the war, more than one million Africans carried provisions and military equipment in hazardous conditions for British, French, and German troops at minimal or no pay. William Kentridge tells the story of these African porters who ensured the success of the victors, but remain in the shadows. This history, rarely studied today, unfolds in a staged tableau combining music, dance, acting, screenings, and mechanized sculptures. The book includes photos and text from the performance, essays, and artworks created specifically by Kentridge to complement the play. Accompanied by an international cast of singers, actors, and dancers, and with music composed by Philip Miller, The Head & The Load is a powerful and multifaceted work that reconsiders colonial history and its repercussions in today's world.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Presents a tribute to the long-running fashion magazine's achievements as an influential cultural icon, collecting more than three hundred definitive photographs that reflect leading fashions from the past decade and feature the contributions of photographers, celebrities, and models.

Organized by political, social, and cultural themes and phenomena, m including marriage, sex, weather, crime, and more, the "Harper's Index Book" assembles the most useful and enduring statistics from the Harper's Index.

A fascinating look at one of the most groundbreaking publications in the world, this volume traces its colorful history and the important figures who have shaped it, influencing fashion--and more broadly, culture--decade after decade. Harper's Bazaar has long been revered for its contributions to fashion, photography, and graphic design and has remained a cultural icon since 1867, showcasing the visions of legendary editors, photographers, and stylists - as well as works by notable literary writers and journalists. Based on the exhibition at the Musée des Arts Décoratifs in Paris, this volume traces the magazine's story--from visionary founding editor, Mary Louise Booth, to Glenda Bailey, who has helmed the magazine for the last two decades and is known for commissioning dazzling visual features that frame fashion in the context of contemporary pop culture and aesthetics. Featuring groundbreaking work by the greats of fashion photography and designs by fashion luminaries, from Madeleine Vionnet and Cristobal Balenciaga to Yves Saint Laurent and Christian Dior and up to the present with Karl Lagerfeld, Tom Ford, and Alexander McQueen, just to name a few, this book is a must have for anyone interested in fashion. The book goes on to profile eminent contributors who were instrumental in maintaining Bazaar's ongoing relevance including Diana Vreeland, Jean Cocteau, Dali, Man Ray, Avedon, Truman Capote, and many others. Organized chronologically, the selections showcase the breadth of creativity and artistry that has been published in the magazine for more than a century and prove that Harper's Bazaar is more than just a fashion magazine.

Harper's Magazine has been America's preeminent monthly periodical for more than 150 years. Rules of the Game: The Best Sports Writing from Harper's Magazine takes a look into this storied magazine's unparalleled archive and uncovers funny, touching, exciting, intriguing stories of the sporting life, both professional and amateur, and what it means to us. These essays show that how we play and write about sports not only reflect our nation's character, but challenge it. Including stories from Mark Twain and James B. Connolly at the turn of the twentieth century, visiting with George Plimpton, Tom Wolfe, Bill Cardoso, and A. Bartlett Giamatti along the way, and continuing with Lewis Lapham, Rich Cohen, and Pat Jordan today, this collection is the definitive voice on sports-writing through the last hundred years. Edited by Matthew Stevenson and Michael Martin, with a humorous, insightful preface by Roy Blount, Jr. (Fifth in the American Retrospective Series.)

Fifteen sparkling works of inside-out reportage--Harper's own house brand of "Submersion Journalism"--an unapologetically aggressive approach to reporting in an age of lies.

The pages of Harper's Bazaar have been a stage for fashion's biggest supermodels for generations and remain so today.

Thom Gunn's The Man With Night Sweats shows him writing at the height of his powers, equally in command of classical forms and of looser, more colloquial measures, and ready to address a wide range of themes, both intimate and social. The book ends with a set of poems about the deaths of friends from AIDS. With their unflinching directness, compassion and grace, they are among the most moving statements yet to have been provoked by the disease.

Mr. Mailer takes to task members of the female sex who have recently attacked male chauvinism at its most vicious level

'I'd like to solve cryptic crossword puzzles, but I can't even understand the instructions.' In a detailed introduction to this new collection, cryptic creators Ed Galli and Richard Maltby give step-by-step instructions on how to solve their brain teasers. Reversals, containers, and homonyms-as well as more arcane clues-are all explained. The five warm-up puzzles will prepare you to tackle increasingly more difficult steps. And, if you're already an experienced puzzler, there are cryptics here to challenge and delight you!

God once declared everything in the world “very good.” Can you imagine it? A Vision of Hope for a Broken World Shalom is what God declared. Shalom is what the Kingdom of God looks like. Shalom is when all people have enough. It’s when families are healed. It’s when churches, schools, and public policies protect human dignity. Shalom is when the image of God is recognized in every single human. Shalom is our calling as followers of Jesus’s gospel. It is the vision God set forth in the Garden and the restoration God desires for every relationship. What can we do to bring shalom to our nations, our communities, and our souls? Through a careful exploration of biblical text, particularly the first three chapters of Genesis, Lisa Sharon Harper shows us what “very good” can look like today, even after the Fall. Because despite our anxious minds, despite division and threats of violence, God’s vision remains: Wholeness for a hurting world. Peace for a fearful soul. Shalom.

Why Does America Go to War? In the last decades, America has gone to war as supposed defenders of democracy. The War on Terror was waged to protect the west from the dangers of Islamists. US Solders are stationed in over 800 locations across the world to act as the righteous arbiters of the rule of law. In What The Spoils of War Andrew Cockburn brilliantly dissects the intentions behind Washington's martial appetites. The American war machine can only be understood in terms of the "private passions" and "interests" of those who control it - principally a passionate interest in money. Thus, as he witheringly reports, Washington expanded NATO to satisfy an arms manufacturer's urgent financial requirements; the U.S. Navy's Pacific fleet deployments were for years dictated by a corrupt contractor who bribed high-ranking officers with cash and prostitutes; senior marine commanders agreed to a troop surge in Afghanistan in 2017 "because it will do us good at budget time." Based on years of wide-ranging research, Cockburn lays bare the ugly reality of the largest military machine in history: squalid, and at the same time terrifyingly dangerous.

In New York Revisited, first published in Harper's Monthly Magazine in 1906, Henry James describes turn-of-the-century New York in vivid detail. Although written in 1904-1905, when James returned to the U.S. after living abroad for more than 20 years, the essay is as pertinent today as it was 100 years ago. The text appears as it was originally published and is enhanced with period illustrations and photographs. Beautifully bound and with a spectacular view of the Flatiron building on the cover, this book is a literary treasure.